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Erik Laubscher, young talent to leading artist

Erik Laubscher Erik Laubscher is a South African artist who spent the best part of 60 years exploring, taking in and portraying South Africa’s landscapes. He particularly admired the Overberg and Swartland regions. These landscapes presented him with more than just a smell or a memory, these experiences represented some kind of spiritual significance. Over the last few decades Laubscher took keen interest in capturing the detail and depth of the sceneries he composed. He managed to combine lines, forms, colours and textures into a well-structured piece of art. Laubscher succeeded to invite one into his art, celebrating the intricate beauty of the land.
Walter Battiss, a member of the New Group, praised Laubscher’s ability to paint big canvases with satisfying assurance. He also praised the artist’s ability to bring something fresh to the stale ideas in the Cape. (as noted by After returning to his homeland, it took Laubscher some time to adjust; eventually shifting from Parisian-styled art to South African landscapes. It all started when Laubscher travelled to a small Eastern Cape coastal town, called Kenton-on-Sea. This town is situated along one of South Africa’s most pristine coastal areas. The most likely place for anyone to indulge in the beauty of nature.

Laubscher was a well-repsected artist among his peers, approaching landscapes with the eye of a photographer. Travelling around the Western Cape he was often reliant on luck, in order to be in a certain place at certain time to capture an image which would last only a few seconds. He regarded his art as a privilege, recreating landscapes or showcasing an array of moods through his experience.

Erik Laubscher Art If you pay careful attention to Erik Laubscher’s career you might notice a golden string of greatness running throughout. As a youngster he was recognised as a promising young experimental artists and by the 60’s he was one of the country’s leading abstract painters. He managed to create a unique identity when it would have been easier to fit the mould.

(photo credit: and